Electronic

James Asher Raising the Rhythms (1999)[New Age]

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James Asher - Raising the Rhythms (1999)[New Age]

Product Details
Audio CD (November 14, 2000)
Original Release Date: September 14, 1999
Number of Discs: 1
Label: New World Music
ASIN: B00001O32S
List Price $15.99 (You save $2.44)
Category Rock/Pop, New Age
Label New World Music (UK)
Orig Year 1999
All Time Sales Rank 287148
CDU Part# 1500592
Catalog# 470
Discs 1
Street Date Nov 14, 2000
Studio/Live Studio
Mono/Stereo Stereo
Producer James Asher
Personnel Miles Bould - bongas, congas, bata drum, shaker
Dave Lewis - saxophone
Johnny Kalsi - dhol drums
James Asher - keyboards, percussion
Thomas Blug
Kiran Thakrar - keyboards
Nigel Shaw - Native American flute
Sumeet Chopra - harmonium
Suzanne Bramson - vocals
Ted Emmett - trumpet
Volker Grun - guitar
Sandeep Raval - drums, tabla, dholak, percussion, djembe
Additional Info United Kingdom

Song Title

1. Tropical Zinge
2. Grand Fiesta
3. Serpent Of The Nile
4. Exubera
5. Cobra Call
6. Spice Souk
7. Zingawele
8. Highland Wanderer, The
9. Saxophagus
10. Sunny Side Up


Raising the Rhythms James Asher's raising the rhythms is an exuberant world music expedition. The Caribbean, America, India, Africa and Middle East all contribute influences to these richly varied and energetic compositions, whose vibrance is superbly captured in this unique recording. Smouldering layers of percussion form the foundation with a wide array of tablas, dholak, djembe, congas, bongos and bata drums. These are then joined by an exotic selection of voices and melodic instruments including Native American flute, harmonium, sax, trumpet, guitar and a plethora of keyboard sounds. James Asher's love of rhythm and the wide diversity of ethnic music is superbly enhanced by his spirited but super clear production style. World Music fusion has rarely sounded hotter!

Customer Review - "Pulsing and energizing. I heard just a few tracks from this CD while shopping in a store that was previewing it. I loved it! It brought back memories of hearing Santana for the first time. It makes you want to move. Appropriate title! A music fan from Fayetteville Arkansas 5/5".

Reviews :

I am a volunteer at KSER 90.7 FM, a community supported Radio Station in Washington State, and first encountered this album in our music library. KSER plays world music, folk, blues, reggae and new age, and this album gives me many opportunities for blending into or transitioning out of other pieces and I love every cut on it. A music fan from Snohomish, Washington, USA 5/5

James Asher's newest release, Raising The Rhythms, is the third installment in his global fusion triumvirate (being preceeded by his best-seller Feet In The Soil and his exuberant follow-up Tigers Of The Raj). Once again, James throws a variety of world music textures in his melodic and beat-driven blender, this time emphasizing the flavors of the Caribbean and the West Indies. Steel drums and accordions abound and a overall tropical vibe snakes through these mostly uptempo celebratory songs which will put a smile on the face of even the gloomiest soul who is lucky enough to hear this recording.

Besides the more island-style musical numbers, there are also hints of the Middle East, Native America and other exotic locales, as well as some straight-up jazz touches here and there. Overall, while there are some slower songs on the album, the main thrust here is pelvic in nature and the tunes are aimed at getting your feet moving, your heart racing, and your soul stirring.

Since James is a drummer at heart, the exotic and lively rhythms predominate and the veritable world of percussion instruments is a joy to hear. Also, as usual, James shows a deft hand in his use of his arsenal of keyboards as well. There are many accompanists on the CD and all of them join James in cooking up a fiery stew of pan-global delicacies. I consider Raising The Rhythms to be the best of the Asher world fusion discs and one of the more joyous and fun-to-listen-to recordings in my collection. Written by Bill Binkelman, a.k.a. the Man who would be King. Reproduced with permission from the Wind & Wire web site.

Just in time for the millennium comes this vibrant exploration of the sizzling sounds of the Caribbean, Latin America, India, Africa, and the Middle East. Unlike most fusion recordings, this music sounds authentic. Ethnic elements and exotic vocal textures weave together with smoldering layers of snappy percussion to ignite one of the year’s hottest albums. By integrating world influences in a spirit of celebration, Asher has made an album that is more jubilant, uplifting, and pan-cultural than his earlier works like Feet in the Soil and Globalarium. He initiates one piece, for example, with a Santana-esque Latin rhythm and eventually adds melodic elements that are more universal in scope. On the next selection, he starts with a Middle Eastern groove and eventually combines it with European elements by adding a choral melody and an accordion.

Each track on Raising the Rhythms represents an intriguing, yet happy, collision of cultures. Despite the songs’ hybrid chemistry, the album hangs together seamlessly for pure listening pleasure from beginning to end. If only people could co-exist as joyfully as this music! Written by PJ Birosik

A boiling cocktail of sparky rhythms - this is how this album can be named (though, rather conditionally, because it does not fit any frames). Here a real unity of various cultures take place. One can observe the joint presence of Latin-American percussion, American Indian flute, vivid Indian drums and keyboards and quite European guitar, and a lot of unexpectedly coming instruments. Caribbean, Indian, European and God knows what melodies have merged together here. And all this is mixed on the full of life, fiery rhythm, which is penetrating through the album.

"Raising The Rhythms" is an album of the united, All-Earth music, song of the Common Home, which does not know any conditions and borders, where every culture contributes it own unique aroma and they can not be separated by any covers of national separation, and there is no desire to do it! And in this Dance of Life they are together - European, American Indian, Indian and African. The are just celebrating, and they feel very good together. You are listening to this album and you are wishing to join this celebration and to be with the real friends, to dip in this endless ocean of Celebration and Bliss.

Undoubtedly, the main advantage of "Raising The Rhythms" is that this album is full of Life up to its brims. And in this matter many remarkable musicians helped James Asher. They have played various instruments and everyone has brought something special, so the music became similar to an incredible bouquet of wonderful flowers with most delicate aromas. Generally, everything which does James Asher comes to be very interesting! He does not repeat himself and all his albums are quite different. So, "Raising The Rhythms" can not bet compared to anything. Still, there is one characteristic feature, due to which one can recognize Asher at once: rich, very bright drums and irrepressible rhythm. And the other instruments, such as jazz saxophone, trumpet and keyboards in "Saxophagus" only emphasize tumult of this rhythm.

In general, "Raising The Rhythms" is surely worth hearing. It is very difficult to describe this album, maybe just as incredibly difficult, almost impossible is to describe the Life itself. Written by Serge Kozlovsky. Reproduced with permission from Serge Kozlovsky's New Age web site.

Credits : Recorded and produced by James Asher at Starfield Studios - London. Mixed by Grahame Gerrard and James Asher at Starfield Studios and Capture UK. All compositions by James Asher, except 'Grand Fiesta' by Sandeep Raval, Kiran Thakrar and James Asher. Recorded on the Soundscape Hard Disk recording system. Mastered by Kevin Kendle at Eventide Music. Music published by James Asher/Radiant Music. New World Music 1999 [NWCD470].

Sandeep Raval: Tablas, Dholak, Djembe, Olympic Drums and Percussion. Kiran Thakrar: Keyboards. Volker Grün: Guitar (1). Johnny Kalsi: Dhol Drums. Sumeet Chopra: Harmonium. Miles Bould: Congas, Bongos, Bata Drums, Shaker, Big Ed Drum. Thomas Blug: Guitar (4,10). Nigel Shaw: Native American Flute. Dave Lewis: Saxaphone. Suzanne Bramson: Vocals. Ted Emmett: Trumpet.


Personnel: James Asher (keyboards, percussion); Suzanne Bramson (vocals); Thomas Blug, Volker Grun (guitar); Nigel Shaw (Native American flute); Dave Lewis (saxophone); Ted Emmett (trumpet); Kiran Thakrar (keyboards); Sumeet Chopra (harmonium); Miles Bould (bongas, congas, bata drum, shaker); Sandeep Raval (drums, tabla, dholak, percussion, djembe); Johnny Kalsi (dhol drums).

Recorded at Starfield Studios, London, England.

From AMG Reviews

No one will ever accuse James Asher of not believing in multiculturalism; on Raising the Rhythms, the British instrumentalist combines rock, funk, dance music, and/or jazz with a variety of African, Caribbean, and Middle Eastern influences. The result is a very unpredictable CD -- from one track to the next, you have no idea what part of the globe Asher will look to for inspiration. Asher's name has, at times, appeared on the new age charts, but Raising the Rhythms isn't new age. While new age music is known for being peaceful, tranquil, and calm, none of those adjectives describe this CD. In fact, parts of Raising the Rhythms are quite exuberant and extroverted -- this isn't chill-out music in the true sense. Asher doesn't actually play any instruments on this project; his role is strictly that of a producer/composer, and he oversees a group of talented musicians who play everything from trumpet (Ted Emmett), saxophone (Dave Lewis), and electric guitar (Volker Grün and Thomas Blug) to the Native American flute (Nigel Shaw) and Indian tabla drums (Sandeep Raval). Raising the Rhythms gets off to a very lively start with "Tropical Zinge," which combines Caribbean elements with a strong African pop influence. And after that, Asher incorporates influences from North Africa ("Serpent of the Nile") and the Middle East ("Spice Souk") as well as Central or West Africa ("Zingawele," "Exubera"). Raising the Rhythms indicates that Asher has absorbed a wide variety of African pop; while parts of this CD remind the listener of exuberant, high-energy styles like soukous and zouk, the haunting "Cobra Call" is mindful of the moodier African pop that has come out of Ethiopia and the Sudan. Anyone who appreciates a wide variety of world music will find a lot to admire about Raising the Rhythms.

- Alex Henderson, All Music Guide


I Love this Album!, May 31, 2000 By A Customer
I am a volunteer at KSER 90.7 FM, a community supported Radio Station in Washington State, and first encountered this album in our music library. KSER plays world music, folk, blues, reggae and new age, and this album gives me many opportunities for blending into or transitioning out of other pieces and I love every cut on it.

pulsing and energizing, September 18, 1999 By A Customer
I heard just a few tracks from this CD while shopping in a store that was previewing it. I loved it! It brought back memories of hearing Santana for the first time. It makes you want to move. Appropriate title!














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